When I was around 14, I mostly just wanted to read. Every
week I went to the library and checked out 10 or 15 books, and then I read them
every moment I could. Oh, I went to school and did well in my classes, and I
had friends, but all I really wanted to do was read. And exercise was not my
fri
end. Once for PE we had to do a 600 yard (yes, that is yards) run/walk, and
I was so uncoordinated I fell and dislocated my knee.
Then one day my dad told me I was going to take a dance
class. There was no discussion. My dad, a busy business executive, had just
decided. When my dad decided something--that was that.
So on a Saturday morning I found myself in Dad’s car,
sitting in some lady’s driveway, sobbing my eyes out. “I don’t WANT to take a
dance class!” I wailed, “I can’t do this! Don’t make me!” Dad just waited for
my crying to subside, handed me my bag filled with new tap shoes and ballet
shoes, and nudged me out the door.
Miss Audrey’s school of ballet and tap was in her basement.
We did ballet at the barre, tap in the middle of the floor, and something
called rhythmic gymnastics using hula hoops and big rubber balls. I hated it. I
could hardly do a plie, and my shuffle-hop-ball-change was more of a shuffle-shuffle-trip-stumble.
I never did quite get the hang of what we did with the hula hoops. I complained
and cried every week. And every week my dad drove me to Miss Audrey’s and left
me there.
Dad must have got to thinking again, because next thing I
knew he arranged for Mom to take me to downtown Minneapolis to see a new film:
the ballet Romeo and Juliet featuring
Margot Fonteyn and Rudolf Nureyev. I don’t know if I realized what he was up
to, but I liked Shakespeare. No tears were involved in this outing.
I walked into the theater, a big old fashioned one with gilt
cherubs and crystal chandeliers, feeling a little thrill of curiosity. But I
floated out. In my heart I was dancing as Fonteyn did, dancing with Nureyev. I
was hooked.
Soon I was getting up early to practice plies holding onto
the back of the wing chair and begging my parents to send me to the real ballet
school in town. At the Andahazy School of Ballet, my enthusiasm grew, and when
I left Minnesota to attend Brigham Young University, the first class I
registered for was ballet. In college I divided my time between English
literature and ballet, taking English classes in the morning and dance in the
afternoon.
I never became Margot Fonteyn, but dance became my joy. I also
learned that I could do hard things. I learned discipline, diligence, perseverance,
and how to work as a team. I learned the delight of being physically fit.
And all because my dad forced me into Miss Audrey’s school
of dance.
Sometimes what is best for us doesn’t seem so at first.
Sometimes we need to just keep going, until we become converted. Then we can
continue, not because we know it is good for us, but because we love it.
“Hard can be good. Christ invites us to do many hard
things because He knows we will be blessed as a result of our efforts.”
(Devin G. Durrant, First Counselor in the Sunday School General Presidency,“My Heart Pondereth Them Continually,” October 2015LDS Conference)